• information, facts, opinions
    how to,  writing craft

    Facts and Opinions

    Facts are true for everyone. Grass is green. The sun is hot. Waltzes are in three quarter time. Lemons are sour. Skunks are smelly. Opinions are true for those who hold them. Grass is beautiful. Sunny days are cheerful. Waltzes are boring. Lemons make the best pie. Skunks are my favorite animal. Facts are irrefutable tidbits of information readily confirmed by multiple sources. Opinions are personal perceptions. Why does this Matter? With hundreds of media outlets, each catering to a specific audience, the line blurs between fact and opinion. So what does this mean? Back in the 1970s there were three broadcast networks. Everyone received the same factual reporting regardless…

  • writing retreat, cabin
    encouragement,  how to,  revision,  Uncategorized

    Treat Yourself

    A writing retreat pays big dividends, and it doesn’t have to take a bite out of your wallet. Do you have access to a cabin, a condo, or a room over the garage? You could sign up for a Costa Rican retreat with daily writing, critique, and personal coaching sessions at a couple of thousand dollars per person. Or. . . create your own retreat for next to nothing! That’s what my critique group did. Share the Load  One member generously offered her time-share condo for the weekend, another made sure we had enough snacks to keep us going, and two members provided meals. Everyone was responsible for their own…

  • filler words, just, really, very
    how to,  writing craft

    Filler Words

    People use, you know, filler words when they talk all the time. It’s something we um, accept as part of like, natural speech. Did you notice the you know, um, and like? These words don’t have any redeeming value whatsoever. Writing has filler words too. Just, really, and very are a few examples. Generally speaking if you cut these words out, they will not affect the meaning of your sentence. As always, there are some exceptions. Amplifiers I can almost hear you disagreeing with me about very. Let’s look at an example. You might write: the very small dog barked as loud as a foghorn. Obviously you want to convey…

  • SPAG, spelling, punctuation, and grammar, revision, rewriting
    how to,  punctuation,  revision,  writing craft

    Rewrite? You’re Kidding!

    You’ve spent hours on your writing project. Spellcheck hasn’t underlined any errors, and you’ve said what you set out to say. Before your teacher even looks at it s/he says to rewrite. What? Why did you put all that time in you wonder? But hear me out. Your teacher has a point. First drafts are rarely ready for prime time.  Revising involves more than punctuation, spelling, and grammar errors. You also want to look at sensory details, sentence flow and variability. Sensory Detail You may think you’ve already included all the necessary sensory details. My rule of thumb is to incorporate at least three senses in every scene. In our…

  • Resist the urge to explain, RUE, whiteboard
    how to,  writing craft

    Resist the Urge to Explain

    Resist the urge to explain. You know your joke hasn’t gone over well when you have to explain the punch line. Writing is like that too. The best narratives speak for themselves. Give Your Reader Credit Explaining each detail is akin to talking down to your reader. Surely, they can infer your meaning without explanation. Readers as a whole are intelligent beings capable of coming to their own conclusions based on the information you give them. Look at the example below. Aunt Cecelia believes that if you can’t produce a thing yourself, you have no business using it. You’d never know she is related to my image conscious, consumer driven,…

  • apostrphes, possessives, contractions, common errors, writing is personal
    how to,  writing craft

    Meaningful Writing is Personal

    Whether you’re writing a report, an essay, or fiction, the best writing is personal. Writing is a conversation between you and your reader. If they want to look up facts and figures without your personal analysis, there’s always the internet. Readers crave a personal connection with the writing and that’s what you bring to the conversation. Nonfiction Think about the last report you wrote. Was it an assigned topic? If not, how did you choose what to write about? Was your report dull and lifeless or did you pack it with the passion you have for the topic? The best writing always has a personal component. That personal connection allows…

  • US Capitol, Congress, Senator, Representative
    how to,  writing craft

    Write Your Congressman

    Why write your Congressman? People write their elected representatives for a variety of reasons. In a representative democracy like the United States, your congressman acts on behalf of their constituents. Constituents include children, adults, citizens, and immigrants. Regardless of voting status, if you live in this country your congressman speaks for you. They are not mindreaders. It’s up to you to tell them what you think about the issues of the day. Succinct The most important advice for writing your congressmen: be succinct. Your Senator or Representative has thousands of constituents and likely receives hundreds of emails and letters each day. Save your detailed argument with facts, figures, graphs, and…

  • story ideas, something to say. what should I write, inspiration
    encouragement,  how to,  writing craft

    What Should I Write About?

    Where do you find ideas for stories? Well . . . there are plenty of places to discover something interesting or worthwhile to say. But to track them down, you have to keep informed about what’s happening in the world, brainstorm original ideas, and keep your ear to the ground for the curious, the weird, or the otherwise fascinating. Finding Something to Say Ideas for stories are everywhere. In the news, in that summer novel, in your neighbor’s backyard. Whether you’re writing fiction or nonfiction, an idea is out there waiting for you. Elizabeth Gilbert writes in Big Magic that inspiration is ripe for the writer who is open to…

  • cowboy boots, stereotypes, predictable
    how to,  writing craft

    Stereotypes in Writing

    Stereotyped characters fit a mold manufactured by media and society.  They are flat and predictable. If I say “cowboy” do you see a man wearing a Stetson and boots astride a horse? Does “librarian” conjure up an image of a mousy middle-aged woman in glasses and a bun? These are stereotypes—what we expect to see. Expectations can expand to behaviors as well. Cowboys are tough, hard drinking, and independent. Librarians are honest, prim and proper. Why Stereotypes are Valuable Stereotypes can help the reader recognize your character. Men who ride horses, wear Stetsons and boots are cowboys. Prim and proper women who wear glasses and style their hair in a…

  • narration and dialog, stripes
    how to,  writing craft

    Narration and Dialog Keep Your Story Moving

    Fiction writing comes in two stripes: narration and dialog. They both move the story along. Narration does it in large strokes. Dialog gets into detail at the character level. Narration Narration allows the writer to relay information that is important to the story in a paragraph or two. It sets the scene, describes a particular place or a specific time period. Or perhaps it condenses the important events leading to the character’s current situation. In a novel, writers use narration to summarize earlier scenes to remind the reader how they got to that point. In each case, narration is a kind of shortcut to give the reader information or description…